Saturday, November 6, 2010

Old Memories

Mark got the call in one in the morning. He was already awake at that hour, reviewing the most recent chapter of his legal studies text book. The soft voice on the other end of the phone urged him to come at once, so he did. He only hesitated for a moment before turning on his car. Once inside, Mark sped down the dark streets.

He brought the car to a sudden halt, parking crooked in the space closest to the hospital’s front doors. Remembering to breathe, Mark ran for it. Inside the front waiting room, he franticly looked around for the information desk. Yet before going over to it, Mark heard a crisp female voice calling out his name. Spinning on his heel, he looked for its source. Sitting on one of the uncomfortable blue chairs was a familiar blonde.

“Samantha, what the hell is going on? I got a call about Addison. They told me she was in an accident, that it was bad,” Mark rambled on to the girl he had not spoken to in months. Putting a hand on his shoulder, Samantha sat Mark down.

“Yeah, it’s bad. She…she hasn’t woken up yet,” Samantha sighed and then watched Mark cover his face. “Look, I don’t want to sound rude, but what are you doing here? You two broke up and…”

“That’s not important right now,” Mark nearly shouted at Samantha. She did not react, but just sat still while Mark fretted. He jumped out of his seat, and then walked around the chair in circles. Samantha watched him for a minute or two, but then turned her attention to watching the information desk. When Matt collapsed on the chair again, she did not look up. “I…I’m still listed as her emergency contact,” Mark sighed and ruffled up his hair.

“Better you than her family,” Samantha grunted. Mark nodded in agreement.

“Have you gotten a hold of them?” he asked. She shook her head.

“You know them, always gone. But I left messages on every single phone that family owns,” she told him.

“So it’s just us then?” Mark muttered, lowering his head again. Samantha nodded, but then quickly jumped to her feet once she spotted a doctor. Waving for Mark to follow, she ran over to the man. It took Mark a moment to register what was happening and once he was at Samantha’s side, he heard the doctor say that Addison was awake now. “Thank God. Where is she?” Mark exclaimed. The doctor looked at him with confusion, but Mark was soon running down the halls of the hospital. He heard Samantha chasing after him, yelling for him to stop. He didn’t listen, but searched every room until he saw a familiar face sitting up in a bed.

“Addie!” he yelled at her. The pale young woman looked up at him and blinked slowly. Addison looked tired, which was to be expected. Her head was bandaged, but he could see several smaller cuts along the side of her face. A cast covered her entire left arm. “You don’t look half bad for being pulled out of a car accident a few hours ago,” he teased her, smiling with relief. Addison did not react, she just watched him with a blank expression.

“Excuse me sir, but you should not be talking to her. She…” Mark ignored the doctor’s urging and hurried to Addison’s bedside. He sat down on the chair and took her free hand.

“Look, Addie, I know you’re probably not thrilled to see me considering…but that’s not important now. I just had to see you, to make sure you’re ok. I couldn’t imagine if you…”

“Ú-chenion. Man le?”

Mark froze as Addison spoke. She looked at him, leaning forward as she awaited an answer. Mark however, turned around to stare at the doctor, slack jawed. The doctor waved for him to join he and Samantha in the hallway. Quickly releasing her hand, Mark slipped away.

“What the hell was that?” he snarled at the doctor.

“To be honest, we’re not entirely sure,” the man sighed.

“Not sure?” Samantha whispered.

“How the hell are you not sure about her condition?” Mark raised his voice, and Samantha quickly placed a hand on his arm.

“No, we know her condition. We just don’t know what language she is speaking. None of the doctors here recognize it,” the doctor explained.

“So the car accident…taught her another language?” Samantha asked, trying to understand.

“What the hell is going on?” it was all Mark could say, over and over again.

“No, that’s not what happened. Your friend has selective amnesia. She’s only remembering specific things. This new language was one spoken by her before,” the doctor continued.

“What the…”

“So she can remember?” Samantha quickly cut Mark off. The doctor nodded, but his attention was captured by a beeping pager. He excused himself so Mark and Samantha were left alone.

“So she might not remember anything. Sure as hell looked like she didn’t recognize me,” Mark sighed, pulling back his brown hair.

“No, don’t you start now,” Samantha reprimanded him. Mark played innocent, but Samantha angrily grabbed him by the elbow. He gave a little shout, but Samantha hushed him. “You dumped her. You ended things. This is not a chance to get back in her pants,” she hissed.

“Don’t be like that,” Mark scowled at her. Even though she released his arm, Samantha was not done with him.

“So you won’t deny it? Is that why you came? To get back in her good graces?” she retorted. Again Mark denied nothing. He paced in the hall, every few seconds looking into Addison’s room. Taking him by the arm, Samantha dragged Mark back to the waiting room. “After you left her, Addie was a wreck. She lost herself in…” suddenly Samantha stopped herself. An idea was growing in her mind, and Mark wanted to inquire after it. When he opened his mouth, Samantha pushed him towards the door. “Go to her place and try to find out what language she’s speaking,” she told him.

“How do you know it will be there?” Mark sighed. Samantha told him she just knew and rushed him out. Grumbling, Mark shuffled out to his car. It was light out now, even though the sun was behind the hospital. The air was nippy, and Mark regretted running out of the house without any jacket. Inside his car was warmer, but just a tad. After turning the heat on, he backed out slowly. Mark drove slowly on his way to Addison’s apartment. He wanted time and silence to think before entering what used to be his home. He didn’t want to go, he wanted to stay at the hospital. There he could deal with everything not alone with taunting memories. Even driving down familiar streets and walking up the steps made him uncomfortable.

Behind the door was much worse. The apartment reeked of stale old books. Addison loved the scent, but it always stung Mark’s nose. He flicked the lights on and then sighed. Samantha was not exaggerating when she said that Addison lost herself. The place was a mess, much messier than he ever remembered. Old hard covers were left open all over her desk and bed. Old maps were pinned to every inch of the walls. Empty soda cans piled up in the tiny trash can. Within one minute of being in the apartment, Mark had knocked over a canister of pens, a bag of chips, and three books. While he picked everything up, Mark quickly glanced over the first book.

“A Gateway to…what?” Mark grunted as he could not make out the final word of the title. Squinting, he flipped the book over. There was nothing on the back, so Mark looked to the title page. After reading the full title, Mark groaned. With a shake of his head, Mark pulled out his cell phone. He waited for three rings, wondering I Samantha would even be allowed to answer in the hospital. She picked up halfway through the fourth ring.

“Ello?”

“It’s figgen Elvish,” Mark said while tossing the book back on the desk.

“Are you sure?”

“Considering all The Lord of the Rings crap in here, it can’t be anything else. All the books are out, DVDs are in front of the TV, and there are half a dozen Elvish dictionaries with pages highlighted. So yeah, I’m sure,” Mark rattled on as he kept walking. When they were dating, Mark knew of her love for the fantasy saga, but never comprehended the full extent of it.

“Could be it. Why don’t you bring some books along maybe we can figure out what she’s saying.”

“Whatever. I’m getting out of here,” Mark was about to snap the phone shut when Samantha spoke up.

“You’re going to keep your mouth shut about all this. We all know how much you hated her passions, but this is not about you. Got it?” After that, Mark hung up on her.

“Yeah, yeah,” he added while shoving his phone back in his pocket. Holding his tongue, even though there was no one around, Mark scoured the room for any kind of bag. Underneath the desk chair he found the bag Addison carried around every single day of college. It was the first thing he noticed about her on the night they met. It was crumpled on the floor while she worked at a desk. It was a normal style messenger bag, plain brown, but covered in an obscene amount of buttons and patches. He walked right up her, interrupting the hours of studying, just to talk to her about one little pin from a band he recognized. Now, years later, all the buttons were still there.

He picked up the bag slowly, but then turned it over to empty it. Papers and pens fluttered out. Mark kicked the contents of the bag under Addison’s bag. Several of the pens bounced off the boxes stored there, so he had to step around them to avoid tripping. He did not know what any of the books held, so he haphazardly shoved whatever books were near into the bag. Once it was full, Mark slung it over his shoulder. His job was done here and s he trudged onwards, slamming the door shut behind him.

Back at his car, Mark threw the bag in the backseat. Instantly, he heard Addison’s voice yelling at him for it. She loved her books, and treated them with a far different care than she ever showed him. When Mark pointed it out to her, Addison was quick to remind him of all the nights he never showed up because he was late at the gym. Over and over again, they had that fight. Each one echoed in Mark’s ears as he drove back to the hospital.

It wasn’t like they never tried to move past the barrier. Addison went with him to the gym once a week, but she was exhausted after half an hour. Mark watched her BBC shows, but he couldn’t find the appeal in a blue box traveling through space and time. When they first met and started dating, it did not matter to either of them. All they wanted was to be together, and they were happy. As the weeks turned into months and the months dragged into years, the gap pushed them apart.

Outside the hospital, Mark pushed out all the regret. Things were different now, he told himself, not completely different, but still different. Picking up the bag, he carried on. To his surprise, Samantha was at the desk, filling out forms.

“Well?” he asked her.

“The doctors just finished with her. They said she…she’s fine,” Samantha sighed, pushing back the paperwork.

“Fine? Have they spoken to her?” Mark grunted.

“Addie is perfectly fine. The cuts and breaks aren’t that bad. She just…she thinks she is someone else,” Samantha was trying to keep her voice calm. For a moment, Mark wanted to comfort her, but his thoughts were distracted elsewhere as Samantha kept retelling what the doctors said. Addison’s brain was trying to remember, but it was only able to recall what was deeply engrained into her neural pathways: walking, breathing, and Middle-earth.

“So she’s a different person,” Mark finally spoke.

“Not exactly, she—hey!” Samantha stopped to hit Mark.

“Why do you keep doing that?” he scowled at her.

“Because you’re an ass. We all get it. You’re a jack and she’s a nerd. It was never going to work. Move on,” she told him, but Mark just walked away. He was heading back to Addie’s room when Samantha grabbed his arm. Despite his protests, she dragged him into an empty room and slammed the door shut. “Don’t think I don’t know what you’re up to,” she said while jabbing his chest.

“What the hell are you talking about? I came here to help Addie,” he defended himself. Mark tried to leave, but Samantha held him back.

“This is about sex.” He froze when she said that, unsure of how exactly to respond. “You guys never slept together when you were dating, so now you’re back for what’s yours.”

“You have no idea…and how dare you even think that!” Mark shouted. Samantha continued to stare at him blandly, so he walked away from her. His face was burning, but Mark ignored it.

“Excuse me, are you the people here for Miss Blake?” a nurse stopped him. Mark hesitated for a moment, trying to remember if that was Addison’s last name.

“Yes, that’s…that’s us. Is everything alright?” Samantha said, running over to them. She looked over at Mark, obviously still annoyed at him.

“Have you arranged taking her home yet?” the nurse asked the two of them.

“She’ll be coming with me,” Mark said, trying not to sound eager. Samantha raised an eyebrow as she opened her mouth to protest. “You live in an apartment with three other people. You can’t take care of her. And she can’t go back to her place, it’s a mess. So she’ll stay with me for now,” he rattled on. The nurse just nodded and moved on her way. Before Samantha could say anything to him, Mark shrugged his shoulders and walked into Addison’s room.

She was still in bed, nervously playing with her thin blonde hair. When Mark waved at her, she slowly nodded at them. As the two stood at the foot of the bed, neither knew exactly what to say. Biting down on her lip, Samantha pulled the bag away from Mark so she could take out a book. As she flipped through it, Addison leaned forward with recognition in her eyes.

“Pedich i lam edhellen?” she asked, smiling lightly. Samantha looked to Mark for help. He shrugged his shoulders and shuffled over to her bedside.

“Umm…look, you’re going to be coming with me. You’re going to come home with me, to my place. You…you have no idea what I’m saying,” Mark tried speaking with his hands, but soon gave up.

“Mas dorthach?” Addison asked, leaning forward.

“Why does she keep asking questions?” Mark grunted, jumping up.

“Well what else is she supposed to do,” Samantha hissed at him. While Addison watched with wide eyes as the two bickered back and forth. Finally, Samantha shoved Mark outside and told him to bring the car to the door. He left Samantha to flip through the dictionaries while he walked. Part of him wanted to hurry, but Mark knew it would not help him at all. He was right before, Addison was a completely different person. And now he had to take care of her.

Getting her into the car was problematic, yet Mark remained in the driver’s seat while Samantha guided her. Over and over again, Addison tried asking questions about the car. Samantha had apparently given up on trying to communicate, which she then showed by tossing the bag in the trunk.

“I’ll stop by later to check up on her,” she said once Addison was settled in. Mark shrugged his shoulders as a goodbye and began driving. He tried keeping his eyes on the road, but they kept getting drawn to Addison as she fidgeted in the seat. She looked adorable, unsure of what to say and playing with the front strands of her hair. Déjà vu was all he could think about. Mark tried remembering what they talked about the first time he took her back to her place, but Mark’s mind was blank.

“You hungry?” he tried asking, even though he knew very well she couldn’t answer.

“Man pennich?”

“That’s what I thought,” he sighed. Addison nodded as well and then lowered her head. He was glad when they arrived at his place, glad to have an excuse not to look at her as he searched his pockets for his keys. He had to lead Addison inside by the hand though, which made his palms sweat. She didn’t seem to notice as he ushered her inside. With a wave of his hand, Mark told her to sit down as he walked to the kitchen. In the corner of his eye, he watched Addison cautiously sit on the couch while he poured her a glass of water. It was the only thing he could think to do. She just left the hospital and she must be thirsty, he thought.

“It’s…uh, water,” Mark told her as he handed Addison the glass. She sniffed it once before taking a sip. She did not recognize the word, but knew what she held in her hands.

“Nen,” Addison told him, holding up the glass.

“Yeah, drink it,” Mark muttered as he sat down. He dropped his head and held it in his hands. Seeing her like this made Mark regret bringing her back. They had already done through this awkward getting to know you stage. He knew everything about her, every little detail. She may not remember, but Mark couldn’t help but see every memory in her eyes. She’s a different person, she’s not the same Addie, he kept thinking over and over again. Maybe soon the words would burrow into his brain and he would able to forget about the girl he dated and see the one in front of him.

Saesa omentien lle. Manen nalyë?”

Mark looked up and sighed. It was still her voice, the light airy words that squeaked when she was overly excited. “You’re not different, are you?” he turned around to face her directly. Addison squinted as she looked him over. Worry lines creased all over his face, wrinkling as he opened and closed his mouth. Finally he stopped trying to speak. Instead, he leaned forward and kissed her.

Man carel le? Am man?” Addison screamed, pulling herself away. Her face was flushed and she couldn’t stop rambling in her gibberish.

“Oh, just shut up,” Mark moaned. He pushed his hair back once she stopped and then took a deep breath. When he paused, Addison stood up. She was trying to leave, but Mark grabbed both her hands.

“Avo bedo! Im gruitheb na… Ti tállbe Orch!” she protested, but Mark pushed her back on the couch.

“I still…Look, I still want you. Samantha was right, this is all about being with you. But you’re…you’re you! I thought maybe, all that crap I hated would be gone. But it’s still there. I hear it, every time you open your goddamn mouth. And I just wish that…”Mark couldn’t contain anything as he angrily ran about the room. Oddly enough, Addison sat patiently by, her hands folded across her lap. She stood up and took Mark by the hands.

Gerich veleth nín. Le meluvan úne ar alye lúmessen tenna nurucilie.” Even though he had no idea what she was saying, he could imagine he had heard it all before. None of that mattered to her, she still loved him. She was who she was, and wouldn’t change. But she’d put it aside for him, do what he wanted her to do. There was desperation in her eyes when she first said it, but it wasn’t there now. We can do this Mark, you know we can. So what are you so scared of?

Tuesday, October 12, 2010

The Moment

The loud screams of Avenged Sevenfold blasted through every speaker of Daniel’s car as it sped down the highway. He had turned the volume up to the max just to feel the vibrations from the speakers move through his bones. It blocked out all the sounds of the outside world, including the cop car that had been following him for the past few minutes. Daniel finally noticed the flashing lights in his rearview mirror. He didn’t curse, he didn’t even think about cursing. Instead, he sucked in as much air as his lungs could hold, and counted to ten.

1. The cops here didn’t know him. He could walk away from all this with just a speeding ticket. 2. Or, they’d run a full check on his license and get full access to his profile. It wouldn’t take long for them to see that there was no real record of his life in the system, which was a crime in itself.

3. He could run. The muscles in his feet were twitching to slam down on the gas. Little cop car like that would be left behind in minutes. Wouldn’t be the first time for him either.

4. But what about Elle? He glanced over towards her for a second. She looked completely emotionless. When their eyes met though, she looked just as nervous as he was. 5. “Well?” she asked him. It wasn’t what he wanted to hear. Daniel wanted her to tell him what to do. 6. The police sirens were louder now, and extra lights were aimed at the car. It made Daniel feel even worse. He had ice cold blood, except when it came to the cops. 7. “Come on,” Elle urged him. A droplet of sweat fell from his temple, running down to his jaw. Again, she wasn’t helping.

8. It was now or never. Letting out his breath, Daniel signaled he was pulling over. In the corner of his eye, he saw Elle’s hand twitch. His foot did the same, but Daniel moved it away from the gas. 9. Both hands gripped down on the steering wheel as he slid the car onto the side of the road. In seconds, his knuckles were white.

10. Now, they had to wait. (c)

Tuesday, July 13, 2010

The Summer Road

The summer sun bore down on the highway like an oppressive dictator. Wisps of heat rose from the black to further the cause. People hid inside their air conditioned cars so they could flee from the humidity. Car after car sped away and towards a cooler haven. No one wanted to be in the heat, except for one, a young woman with a battle axe slung over her shoulder.

The heat did not appear to bother the young woman. Even though she was directly in the sun's gaze, she showed no signs of distress. Only a few stands of hair that were plastered to the back of her neck revealed that she was sweating. That morning she had pulled her long blonde hair into two braids with the express intention of avoiding that predicament.

She marched on onwards, eyes fixed straight ahead. Humming an old battle hymn, she propelled herself forwards. With each step she took, her heavy combat boots shook dust up from the ground. The laces to the boots had vanished almost a year ago, so now the tongues flapped with each step.

Not stopping, she quickly switched the axe to her other shoulder. After rolling the tense shoulder to release the pressure, she shoved her hand in the pocket of her denim shorts. Her whole body was tense, determination to keep moving pressed down on each muscle.

Then, up ahead, she saw something. It was an old sign, just a sheet of metal with florescent words telling her to turn around and return to the city. Now, it was covered in layers of graffiti. None of it stood out, just your ordinary amateur propaganda. "The end is nigh" "War is coming", the sort of garbage sprayed across the metal by bored teens late at night. None of it meant anything.

Except one phrase, a phrase put up by people like her. "Faith is Freedom"

Elle was on the right road. (C)

Sunday, May 30, 2010

In Memory

She pulled on her leather jacket. As she closed each clasp, she mut tered a short prayer. Engraved on each one was a name of a fallen com rade. Her fin gers fal tered for a moment as she touched the name of her hus band. Swal­low ing the grief, she con tin ued on. The top but ton was left blank, reserved for her own name.

Friday, May 21, 2010

"Changless" is Exactly That

In her fantastic follow up to my favorite book of the past few years, Gail Carriger keeps her readers wanting more and more. Personally, the first book Soulless is still my favorite in the series, but Changeless is just as amazing. Our heroine has moved to the next stage of her life. I won't say what just in case you haven't read the first book, which you really should go out and do right now. She has a new home and a new job, which keep her more than busy. Yet she always has time for tea and parasols. In fact, she has the ultimate parasol now!

I loved everything about it, except for the ending. Don't get me wrong, it's a great ending. Gail paints the perfect cliffhanger that left me screaming for the next book in the series. That is what makes a great book, and a great author. I am so in love with Alexia that I want her to succeed in everything, so when there are problems for her I get very upset. If I had access to the technology, I would travel into the future to get my hands on Blameless this very second. I NEED to know what happens next.

Wednesday, May 5, 2010

State of Mind

My eyelids move, and I see it all clearly. Every little detail, painted perfectly. You're always smiling, and I

I could reach out and touch you. But you're not really there. It's all in my head, it's all in my head

Wednesday, March 24, 2010

Watching You Die (Version Two)

A single gunshot rings out, echoing in the emptiness of that single fragile moment. A young man falls down in the stiff snow, next to his mailbox. He remains on his knees to be tall and face the masked man with the hopes of fighting him off. But they are alone on the wintry street.

He clutches the crimson stain spreading across his shoulder while the assailant prepares to fire again, this time straight at his victim’s temple. In the next split second, he twists his fearful body backwards to crawl away. Two bullets leave the chamber and imbed themselves into the back of his legs.

The sound of gun fire has not yet riled anyone inside the small houses. People are used to that noise on these dark streets. The man’s screams grow louder and more desperate, as he calls for friends, family, anyone to save him. His family hears the cries just in time, and the eldest brother fires their own gun after stepping outside to see the armed criminal. He too falls back from the wound, but his pain pales in comparison to that of the young man. Every man in your family rush towards him, lusty for blood, while the women clutter on the porch to watch with fear.

With the strongest breath he could muster while blood floods his lungs, the dying man calls his brother’s name. This word draws them to the reason for their rage, so everyone finally stops everything to rush to his side. His brother drops to his side and grips his head tightly in his hands, lifting it off the pinkish snow. He calls out, trying to say something that will keep his little brother alive. There is vomited blood all over his chest, so much that it is hard to differentiate between the fresh and dried blood. Thick redness gathers at the back of his throat, gurgling and bubbling with each desperate breath. Everyone can see it so clearly as it foams and spills down the trembling lower lip.

It is the end. With a last smile at the loved ones circled around, his head falls back into his brother’s hands and his eyes close. The stern man screams out at the heavens, while others whimper.

“Cut! Cut! That’s a wrap! Good job everyone!”

My ears ring as the director screams into his megaphone. The lights on the set return to normal, and the world seems to change. The cast of people around you slowly steps away and watches with dumb smiles as you stand up and whip the red corn syrup from your face. Everyone shares a few laughs while filing off the set so the crew can return everything to the way it was for the next take. Wiping my running nose with my sleeve, and then my blotchy eyes with the other, I step aside so the others can pass. They are all chattering cheerfully with each other, ignoring me as they head to the snack table. You are the last one to leave the set, and you head straight for me.

“Crying again?” you ask and then plant a quick kiss on my cheek. We both know the answer, so I lean forward and desperately rest my tired head on your shoulder. I gently sway forward, reclining against your body, feeling the warmth from your skin to let me know you are really here. For a moment, neither of us does a thing. There is so much I want to do and say, but I am frozen against you. You understand, you always do, so you let me stand there and inhale the sweet scent woven into the fibers of your shirt. Your arms wrap themselves around the small of my back, drawing us even closer.

“That’s the third time we’ve done that scene and you still can’t stop crying. Why don’t you just not watch? You can rest in the trailer,” you finally say softly after kissing my forehead. My voice feels trapped in my throat , so in response I lift my head and nuzzle against your jaw line. I can feel the soft vibrations of your vocal cords as you laugh, and it gives me strength enough to speak.

“It’s not my fault,” I start, but you laugh at me. Pulling back a little bit, I look you in the eyes. “When we got married you promised no death or sex scenes,” I remind you, but you keep laughing.

“But you don’t have to stand here and watch,” you flick the tip of my nose before continuing. “And we talked about this when I got the script. This movie is a great opportunity, maybe even Oscar nominated. You do want me to get an Oscar, don’t you?” Of course I remember the conversation, and it was with that exact same argument that you won.

“I just don’t want to think about you dying. Haven’t your characters died in every other movie?” I squeeze my husband tightly, feeling the lump in my throat growing.

“Not every movie. There was one…”

“It was a movie about high school football. Of course you didn’t die,” I cut you off, yet we both are smiling.

“Yeah, but at least I kept the other end of the agreement. And, I let you correct the grammar in the script,” you keep teasing me until the director screeches into his megaphone again. He needs everyone to get ready for another take of the death scene. It’s still not right. You give my hand a little squeeze before heading off to have all the fake blood cleaned off and squibs reattached.


~~~I was told to rewrite a short story using a change in the narrator's point of view, so I picked this one.

Watching You Die (Written 2007)

The first shot is always the loudest, echoing in the emptiness of that single fragile moment.

You fall down in the stiff snow, right next to your mailbox. Staying on your knees, you try to stand tall to face the masked man with the hopes of fighting him off. But the two of you are alone on the wintery street.

As you clutch the crimson red stain on your shoulder, the man prepares to fire again, this time straight at your temple. In the next second, you twist your fearful body backwards and crawl away. Two more bullets leave the chamber and imbed themselves in the backs of your legs.

The sound of the gun shot has not yet riled your family inside the house. They are used to that noise on these dark streets. But now your screams are louder and more desperate as you call for friends, family, anyone to save you. Those inside your house hear you just in time, and someone fires their own gun upon seeing the gun in the man’s hand. Now your assailant falls back, but he’s not in as much pain as you. All the men in the house rush towards him, lusty for blood, while their women clutter on the porch to watch with fear. All they want to do is kill him.

With the strongest breath you can muster all while blood floods your lungs, you call out your brother’s name. This brings them all back to why they are here fighting on the street. So everyone finally stops what they’re doing to rush to your side. How could they not? You’re dying.

Why are they just standing there? Can’t they call for help? Why hasn’t someone called 911? Don’t they want to save you? No, they just sit around and cry over you. I really can’t judge them; I’m doing the same thing.

From where I stand, I watch all of this with my hand tightly clamped down on my chin, trying to stop it from shaking as much as your failing body. No matter how much I try to calm my mind, salty tears burn my eyes and then slide down to my cheeks. It’s heartbreaking to watch the one you love die and not be able to do anything. I cannot even take a single step forward to comfort you. My body lurches forward with the sheer desire to aid you, but I have to hold myself back. I cannot move from this spot, no matter how much I ache to.

All this time, the man closest to your side is gripping your head tightly in his hands and lifting it up off the pinkish snow. He’s calling out to you, trying to say something that will save you, stop all the blood. How I wish it was me there with you, holding your body close to mine.

By now, you’ve vomited blood up all over your chest, making it hard to differentiate between the fresh and dried blood. Thick redness gathers at the back of your throat, gurgling and bubbling with each desperate breath you take. I can see it so clearly as it foams and spills down your trembling lower lip.

I can tell now it is your end. With a last smile at the loved ones around you, your head falls back in someone’s hands and your eyes close. I sob along with everyone else as they mourn for the life you had to leave. They all scream out at the heavens, while I just whimper silently to myself.

“Cut! Cut! That’s a wrap! Good job everyone!”

Lights slowly change, and the world along with it. Everything on that dreadful street begins to mold away from the gray bleakness and into a bright lively town. The cast of people around you slowly steps away and watches with dumb smiles as you stand up and wipe the redness from your face. Everyone shares a few laughs and compliments while filing off the set and allowing the crew to rearrange everything to the way it was. Wiping my running nose with my finger and then my blotchy eyes with the other hand, I step aside as the others pass me by. They are all chatting cheerfully with each other, ignoring me as they file to the snack table.

You’re the last one to leave the set of a destroyed city street, but I don’t move at all to get any closer. Instead, I clutch my clipboard to my chest and watch you come to my side.

“Crying again?” you ask and plant a quick kiss on my cheek. It’s a rhetorical question, since we both know the answer, but I lean forward and desperately rest my tired head on your shoulder. I gently sway forward, reclining against your body, desperately feeling the warmth to let me know you’re here with me. For a moment neither of us does a thing. There is so much I want to do and say in that one moment, but I am frozen against you. You know this, you always do, so you let me stand there and inhale the sweet scent woven into the fibers of your shirt. Your loving arms wrap themselves around the small of my back, drawing us even closer together.

“That’s the third time we’ve done that scene and you still can’t stop crying. Why don’t you just not watch when we film this part?” you finally say softly and kiss my forehead. My voice feels trapped in my throat, so in response I lift my head slightly to nuzzle against your jaw line. I can feel the soft vibrations of your vocal cords as you laugh, and it gives me strength enough to speak again.

“I have to be here. As the writer, I have to make sure everything is perfect,” I answer and then look up to stare you in the eyes.

“You’re not here for me?” you ask mockingly and take my hand. Grinning, I slowly shake my head and we both share a small laugh. Oh, how sweet that sounds echoes in my ear. “And if you didn’t ever want to see my character die, why did you write the scene?” you keep asking me.

“He just had to die. It was essential for the plot and character developments and for the theme,” I try to explain, but you chuckle at me.

“Then have them cast me as another role,” you comment with a sly grin and as I try to think of a witty retort, a foghorn cuts us off.

“Everybody! Hurry up and get to makeup! We’re going to do another take of scene twelve!” the director yells into his megaphone, even though we’re all in perfect hearing range of each other.

“Sorry love, but the job calls,” you laugh and then quickly kiss me before rushing off to your chair to have all the fake blood cleaned up and then reapplied. Our brief moment together is gone, for you are transforming into your character.

Tuesday, March 23, 2010

Ships Come Sailing

I knew the war was over when ships rose on the red horizon with the sun. From the second I gazed upon the first full sail, I knew it was all over. Those were not our ships. The physical craft was from my home, there was no mistaking that, but our men were not coming home. Their bodies would be food for carrions.

There was no time to mourn loved ones now; I had to ready myself for battle. Warning bells echoed over the hills, but they were useless. There was no one left but me. My neighbors had all fled into the hills. Friends begged for me to follow, but I could not. The soldiers needed to be stopped our they would hunt my people to the edge of the earth.

Her father left for war. Her brother left for war. Her husband left for war. And when he was old enough, her unborn son would leave for war. Yet for that to happen, Corrine needed to survive today.

When rumors that war was brewing on the far off coasts reached their village, her husband Gareth took her aside.

“They say this will be the greatest war of all time,” he said, drawing his wife into his arms.

“And the bards will sing of your deeds until the sky falls,” Corrine spoke with a song in her voice, but it was gone now. It left when Gareth sailed away. Those two women were no longer the same person. Seven long years changed everything about Corrine.

“But if I fail, you must be ready,” and with that Corrine became a woman warrior. She always knew how to fight in order to defend herself from the rogues and thieves that traveled in the forests and roamed the edges of the hills. Her brother had given her a knife for her seventh birthday, just before leaving for his own war. Gareth gave her a gift as well, a long sword. It had been customized for her hand, each detail perfectly crafted.

She caught her reflection in the blade as she waited for the ships to land. Corrine was not a spectacular beauty; she was average looking. But the air around her made Corrine stand apart from everything around her. The men on the ship could see it as they yelled back and forth to each other. Many laughed a lone woman standing up against a fleet of tested warriors, but they were stuck by the malice in her eyes. Corrine lifted her sword as the commanding officer ordered his men to take her.

I was ready for this, ready since Gareth kissed me good-bye. My sword sung as it drank warm blood for the first time. NEINA, the hungry. We were both hungry for the invader’s death. They were not going to take me, my home, my land. They had already stolen enough. It was my turn.

Thursday, March 18, 2010

Bouncy Ball

Your love is a small rubber orb. It's your toy, to toss around. You let it jump back and forth, never staying long. And when it hits, it hurts.

Tuesday, March 2, 2010

Dawn of the Dreadfuls

We all have heard the great tales of Elizabeth Bennet and Fitzwilliam Darcy slaying the "unmentionables" across their country landscape. But how did this happen? When did these figures become more than the heroes Jane Austen painted? You're about to find out.

Before our tale, England was at peace. The dreaded zombies--or Zed Word--had been defeated long ago and the country was safe again. But no more! The dead are walking again, and the Bennet sisters must take arms.

Like a real Jane Austen tale, this has romance and social struggles, but set against a gory time. While in Pride and Prejudice and Zombies, the author had to actual text to aid in creating this mash-up, here he stands alone. And he stands strong. If I didn't know better, I would wonder when Jane Austen rose from the grave herself! This book mixes together the familiar characters from the original book, with a new cast.

My favorite character is the "charming" Mr. Smith. Who is this man? Not a man, but a zombie. While the Bennet sisters learn how to kill the undead, others are attempting to understand the dreadfuls with SCIENCE! Mr. Smith is a zombie who is being taught how to be a man again. Does he regain his British composure? Or does he feast on the brains of ball goers? Find out on March 23!

Want to learn more? GO HERE: http://quirkclassics.com/index.php?q=dawnofthedreadfuls

Want to win an exciting prize full of zombie goodies?

Thursday, February 11, 2010

Stolen

The hall was clogged with bodies; none of them hers, but who could be sure? That was the problem with clones.

The factories had a complete set of perfect bodies, which they mass-produced. Every clone came into the world, ready for life at its peak. Alex 29 Beta gazed around the bar, recognizing at least five different body types. Every so often there were variations: dyed hair, tattoos, and implants. Even then, it was hard to pick one out of the crowd.

But then he heard her laugh. It was just like every other laugh, except for the lilt at the end. He didn’t know where it came from, but he loved it.

“Darling, pour me another!”

She was Johanna 11 Delta and he loved her. Johanna was always his favorite model, but this one was special. Maybe it was the way she batted her lashes at him, or her little sneezes. It could have been the star tattoo below her left eye, or the way she painted each nail a different color. Perhaps it was how she said his name, or the single wrinkle at the edge of her mouth from smiling so much.

“My darling! I’ve missed you.”

Johanna called everyone ‘darling’, but Alex 29 felt special when she said it to him. Grabbing him by the wrist, Johanna 11 pulled him to her side. Alex 29 felt no need to speak, but just enjoyed watching her in the neon light. Smiling, Johanna 11 handed him a shot glass.

“I’m getting old Alex.”

He shivered as she spoke. Johanna never called him by his full name, but it didn’t bother Alex 29. It brought them closer, that familiarity.

“You’re still just as beautiful,” Alex 29 told her. As she grinned, he leaned in to kiss her. It would be their only one.

Wednesday, January 27, 2010

The "New and Improved" Classics.

The "Young Adult" shelves of Barnes and Nobles all seem to be filled with the same themes of paranormal romances between the immortals and star struck teenagers. What ever happened to the literature of old? The tales of struggles of love overcoming the social strifes of the past? Well, they are coming back with a new faces. Novels like "Pride and Prejudice and Zombies" and "Sense and Sensibility and Sea Monsters" star the growing list of the new editions of beloved literature.

Modern teens no longer seem to relate to Miss Austen's famous characters. Why read about Mister Darcy and Elizabeth Bennet when Edward and Bella's love is (somehow) more accessible? So, someone in some publishing house somewhere thought "Hey, what if Jane Austen wrote about zombies?"

No matter what you think of these books, you have to admit that the creators are geniuses. Copies of all the books are flying off shelves, and now Hollywood is taking their share. It seems as if everyone knows about these instant--and strange--best sellers.

But why? Why are they so popular?

Is it simply because of the current trend in zombies and other paranormal romances? These are not the first adapations of Miss Austen's books. Modern authors have been continued the romances of her characters, and have often made them creatures of the supernatural. Vampire Darcy's Desire has the dashing hero as a sullen blood sucker, thus explaining his aversion to romance. And this is not the first book where Darcy is a vampire.

But why these books and not those others? I keep asking myself that over and over again.

Is it the manner in which the author maintains the original voice of the text? Or perhaps the hilarity of such a cast of characters battle the hordes of the undead? Or maybe the timing of the publishing was perfect for such popularity?

From my own readings of the books, and observing others who read them, I can see the instant love for them. Everyone agrees on the hilarious nature of each book, and personally I think that's why people love these books. There are very few people who do not enjoy a good laugh, especially in this crazy world we live in.

My one final question is this...What would Jane Austen have to say?

Burning Away Reality

1984 shows a world filled with so many injuries to mankind, that reality almost seems to no longer exist, and perhaps that is the case. Everyday history is being rewritten. Winston, along with many other men, spends his work hours rewriting past documents which would prove any aspect of the party incorrect or lying. Then the originals are destroyed, leaving no records behind. Any true documents have most likely vanished long ago to prepare the way for the party’s conquest. The reconstruction of history cripples society two fold. First, each time a new article is written, it falls further and further away from the truth until nothing is left behind but fabricated propaganda. Using Plato’s allegory of the cave, it is like a man turning away from the fire and then slowly pushing themselves away from the fire until everything is masked in shadow. Before the party’s reign, reality and the new ideas that create it were at least present to some individuals, but that is no more for those brave few who rebel are tortured and put through hell until they crack and submit to Big Brother. The second blow, which stems from this first dilemma, is that the possibility for any new ideas to be created is gone, which then in turns destroys the true reality. With old ideas dead and gone, new philosophers have no mentors to learn from. What would our present world be like with out Plato teaching Socrates? Even if a new idea miraculously formed, would it be real if it is not from anything truthful? But of course we must take in the fact that any ideas that go against the party of Big Brother will be put down without mercy. Imagine a man desperately trying to look at the fire, but he is beaten down by his fellow cavemen for such a drastic attempt. In this environment, the breeding ground for new ideas is an infertile as the poly-urethane kitchen table I am writing to you from. So along with all hope for the future being destroyed, reality has vanished into the darkness of the totalitarian state. I just can’t wait.

Ignorance is Strength

War is Peace

Freedom is Slavery

Wednesday, January 20, 2010

Lost Has Been Found! (Written in 2008)

Lost Has Been Found!

4 8 15 16 23 42. It’s not Penny’s boat. Who is Jacob? What is the black smoke monster’s purpose? Why can Desmond see the future? Whatever happened to Walt and Michael? Will the survivors ever go home? Whose funeral did Jack attend? Why am I still watching this show?? ARGH!!!

For three compelling seasons, Lost has captivated and tortured the minds of watchers around the world, and its now back for its fourth season. On January 31, 2008 the most entrancing show will return to primetime television, but not without some changes. Due to the writer’s strike, the number of episodes will be drascitilly cut down, but the show may not experience the usual hiatus midway through the season. These factors also might explain why the airing of the first new episode was pushed back.

It was also announced that the series will end in 2011, meaning that the creators will have to start giving us answers if they want to tie up all the loose ends. For some of us that comes as sweet relief, but to others the end is coming too soon.

For those desperate and obsessive followers who cannot survive any longer without learning more, the creators of Lost have given us a few extras to make up for the shortened season and the long wait. First, the ABC website and Verizon Wireless V-Cast has a new series of short web episodes called Lost: Missing Pieces. The short episodes provide new background information on the inhabitants of the island, which supplements the further insane bonus features on all the DVD box sets.

Does anyone remember Desmond’s line about the puzzle without a picture on the box? While he was describing his ability to see the future, the marketing staff had created a series of four puzzles before that episode was aired. These thousand piece torture devices have only a teeny tiny portion of the picture to work off of. Everything else is left up to you.

The series of puzzles link up the clues about the hatch, the numbers, the others, and everyone’s lives before the crash. While most of the clues are already well known, there are a few pictures and notes that have not yet been aired.

Once you finish slaving away over the tiny pieces of cardboard, turn over the puzzle for a glow-in-the-dark replica of the map drawn on the hatch’s door. All four puzzles connect to complete the image, and you can read all the notes about the set up of the island and the other hatches, but of course, most of the writing does not make sense and only opens up more questions.

I, along with the aide of my family, have completed two of the four and begun the third. Without a doubt, it is hell, but once you finish and more of the mystery reveals itself, you sigh with relief. Though the next, day you stare at the next unfinished puzzle and wonder what you’ve you gotten yourself into.

The entire Lost empire leaves people feeling like that, especially after hours of watching episodes screen by screen to catch the images in the black smoke monster. Still, we love it, even if we lay awake in our beds and then come into the school screaming our heads off at our friends and we feel good when we solve one of the mysteries of the island. It’s only a matter of time until the craziness starts up again and you’ll be able to see who’s who when it comes to Lost. To those of you who still want to know what everyone else is talking about, you can watch the old seasons online on ABC or rent the DVDs from Blockbuster or NetFlix. You can watch these episodes over and over again, trying to divine what will happen next.

Friday, January 8, 2010

Out of Air

The narrow silver hallways were flooded with red light. Alarms reverberated off the metal, bouncing all throughout the spaceship. One young crew member dashed through the hallway, tripping and bouncing as the artificial gravity faltered. Her bulky spacesuit helped keep her down, but the speed of her mission threw off her personal balance.

"Colonel! Colonel!" she screamed, looking into each side room on her way to the bridge. Sparks flew from every other circuit, jumping out of the dying ship. "Colonel!" the scared girl screamed louder now as she felt the heaving last breathes of the engine.

"Damnit Maria, what are you doing here?" her Colonel finally answered, emerging from the engine room. His suit was covered in black liquid, smeared across as he tried to save the ship.

"Wasn't gunna leave you," she spoke through the lump in her throat. The look in the Colonel's eyes scared her; it was dark and dismal, with a fear she never saw before.

"I ordered all crew to abandon ship, didn't I? Last time I checked, we got a giant hole in our side that will kill us all," the Colonel answered harshly, pushing past her. Biting down on her lip, Maria continued to follow after him.

"You're here," she pointed out the obvious as the Colonel leaped up the stairs to the bridge.

"Thought maybe I could save her. Had to be some way to fix the hole. Some seal or another," he groaned, and in response the ship lurched forward. Flailing her arms, Maria fell up the stairs while the Colonel dodged the flying loose portions of the main board.

"Sir, the entire left side was ripped apart. There was nothing you could do," Maria told him as the Colonel helped pull her to her feet.

"Don't remind me," he sighed, sitting down. As he dropped his head into his hands, Maria's suit began to beep shrilly. With a meep of fear, she covered the small red icon at the base of her suit's neck. Opening one eye, the Colonel looked at her with a small smile. "Ten minutes of oxygen let?" he spoke lightly, not wanting to further alarm the girl. She nodded rapidly, her eyes filling up with tears. "Don't worry. Mine went off five minutes ago," he chuckled, standing up now.

"Don't worry? How is that supposed to help me?" Maria shrieked, throwing her hands up in the air. Ever since the collision with the meteor, her heart had been pounding. Now, the hyperventilating began.

"You're not supposed to do that," the Colonel sighed, coming to her side. Clutching her chest, Maria felt the burning of tears in her eyes. "Really, you shouldn't ," the Colonel cringed. Emotions were not the war veteran's forte.

"We're going to die in ten minutes! What does it matter anyway," she sobbed, grabbing onto the Colonel's arms. The glass of her helmet fogged over from her heavy breathing, and in seconds the light began to beep again.

"Die in five minutes actually," the Colonel corrected her, but winched as Maria's cries grew more frantic. Her legs buckled underneath, and Maria fell down to the floor. Taking one single deep breath, the Colonel continued to hold onto her as they fell. Any attempts at hushing her were drowned out over Maria's cries.

"I can't die like this! I never got to travel like I wanted to! I've never been kissed! I never did anything with my life!" she sobbed more and more.

"Never travel? Maria, you're in a bloody space ship heading to the next galaxy. I'm pretty sure that counts as traveling," the Colonel attempted a cheerful joke, but Maria shook her head.

"Never going to make it there. Oh, I'm just a miserable failure," she said. Now, the Colonel had had enough of her whining. Taking a hold of her by her shoulders, the Colonel looked Maria right in the eyes.

"I am ordering you to stop. Now," he said firmly. Of course, Maria opened her mouth to protest, but he placed a hand on her helmet. "This is no way to die," he told her softly, and Maria slowly closed her mouth. He could feel her shaking grow worse by the second, but the Colonel let her go. Giving her a strong smile, the Colonel took a hold of his own helmet. He closed his eyes, and then twisted it. With a loud hiss, the helmet detached from the spacesuit.

"What are you doing?" Maria screamed at him. As he reached towards her, Maria tried to pull herself away. When the Colonel took her hand, she wept even louder than before. The look in the Colonel's eyes told her to trust him, but Maria was unsure. With a pained moan, she let the man who had guided her for the past two years to pull her close. His skin flushing from the strain, the Colonel reached for Maria's helmet. Even though she let him twist it, Maria franticly cried out. Finally, she stopped once he pulled it off. Taking the largest breath she could, Maria waited for his next command. The emptiness of space felt cold against her skin. She could sense what air was left being drawn out as the hole in the back of their ship sucked all the life away.

As her final breath burned in her chest, Maria watched the Colonel close his eyes. In the next second, he had pulled her against his chest and pressed his lips against hers. It being her first kiss, Maria was unsure of what to expect. His lips were cold as they meshed with hers. It was a strange sensation, but quickly Maria let herself melt into the kiss. Closing her eyes, Maria felt lightheaded, with a tingling across the back of her skull. Maybe it was from the lack of oxygen and the growing vacuum of space, but she had no thoughts for that. Now, she let herself fade into the kiss until everything turned to black.

Thursday, January 7, 2010

Flavor

The flavor of beer stung the back of Jacob Gaulin's throat. It was warm from sitting untouched at his side for the duration of the card game. Now, as the dealer reshuffled the deck for the next hand, he had a moment. In two deep gulps, the glass mug was emptied. Once the amber liquid was empty, Jacob missed it. The presence of an empty glass at his side as the cards slid across his table bothered him. As he covered the flat rectangles with his hand, Jacob looked down at the bottom of his glass. There was nothing left but white froth. And now, it would sit next to him for the next several hours.

"Your move."